Priory Church of St James, Bristol (RC)

St James's Priory claims to be the oldest building in Bristol. Recently restored, it has well preserved Norman arcades and an early rose window. It is now part of a charitable project offering support to  people struggling with addiction. The church has regular services led by a priest from the nearby Roman Catholic church of St Mary on the Quay.

History

The Priory was founded as a Benedictine house by Robert, Earl of Gloucester (1100-1147), in 1129. Robert was the illegitimate son of Henry I and a key player in the conflict between King Stephen and the Empress Matilda. He is buried in the church. The church was made parochial in 1374 and the bell tower was erected in 1375, paid for by the parishioners.

The priory continued until the dissolution of the monasteries in the reign of Henry VIII, after which the west end of the Priory Church became the parish church. Alterations included the rebuilding of the south aisle in 1698 and the north aisle in 1864. The church was declared redundant and closed in 1984. In 1993 it was reopened by the Little Brothers of Nazareth, and a project for people in need established. The church was substantially restored in 2009-11.

The church

The west front is in many ways the most interesting: above a rubble wall (now rendered), are a row of Norman interlaced rounded blind arches, surmounted with an unusual (and very early) example of an oculus, or rose window. This consists of a circle surrounded by eight outer circles, with inter-twined rope decoration. At te east end, the rather plain tower forms a prominent landmark from the Haymarket. The south porch (towards the west) has a short tower and is an 18th century addition.

Inside, the nave has arcades of five bays of rounded arches on round columns with attached shafts and cushion capitals, dating from the 12th century, albeit much restored. The roof corbels are in the form of mediaeval heads, brightly painted. The neo-Norman west wall is 19th century as is the inner north aisle of polished pink granite columns (the outer aisle has been separated off to provide exhibition and seminar rooms). The south aisle is more interesting and contains most of the monuments, beneath a row of large 4-light windows and more colourful corbels.

The church has some interesting monuments: pride of place goes to that of Sir Charles Somerset (d. 1598), found through a modern door at the west end of the north aisle. There is a late 12th or early 13th century mediaeval effigy on the south wall under a large moulded arch: well preserved, it is not clear whether this is in fact the tomb of its founder, as claimed on a wall plaque: his tomb of polished jasper was at the east end, which makes it unlikely. Among the numerous 18th and 19th century wall memorials, there is an interesting earlier brass, surrounded by strap-work, commemorating Henry Gibbes (d. 1636) and his family on the east wall.

The church is open during weekdays for private prayer, and there are regular masses.

St James's Priory and Project, Whitson Street, Bristol BS1 3NZ

St Michael's Without, Bath

St Michael's Without is one of Bath’s most prominent city centre churches, dominating the view along Northgate Street. Recently re-ordered, it also houses a busy café, just one aspect of an equally vibrant parish life.

History

There has been a church on the site since at least 1180, the original being outside the city walls. This was rebuilt between 1370 and 1400, although we know little of its design. By the 1730s this was both too small and dilapidated for the existing congregation, but an offer of a design by the architect John Wood was turned down and the third church was built in 1742 to plans devised by its churchwarden John Harvey. Wood inevitably criticised the design, and it was said that that it was so ugly that a horse would refuse to be taken past it unless blind-folded!

It was not long, however, before this church followed the fate of its predecessor (being both too small and structurally unsound). It was demolished in 1835, and the present church built to designs by G P Manners, and completed in 1837. To make better use of the site, the new church was orientated north-south, with ritual east to the north.

The church

The church is an early essay in neo-Gothic, but the style is somewhat eclectic: Pevsner calls the tall, slender tower ‘crazy’, with its spire perched atop an octagonal lantern, with extraordinarily tall stepped lancet windows. The interior has similar windows, but is more conventional, with an aisled nave leading to a polygonal apse and plaster rib-vaulting. This is picked out in cream and is perhaps the church’s most attractive feature. The interior is light and airy, though there are few fittings of note.

The interior has been re-ordered with chairs and the tower room and rear of the nave are now used for a café and bookshop. The church has a strong emphasis on mission, described in displays at the back of the church.

St Michael Without, Broad Street, Bath BA1 5LJ

St John the Evangelist, Bath (RC)

St John’s tall steeple and spire is one of the landmarks visible from the train as you go through Bath: at 222ft high, it is the tallest in the city. This large church is a confident statement of faith, and an equally emphatic lesson in the Gothic Revival in this otherwise large Georgian city.

The church was commissioned by the Benedictines and built in 1861-63 to the designs of Charles Francis Hansom (1817-1888) and his son Edward Joseph Hansom (1842-1900). They adopted a flamboyant Decorated Gothic design, almost French in character – exemplified particularly by the rose windows in the transepts - yet the spire owes more to English precedents.

The church is built of rough-faced Bath stone, and has a large aisled nave, with clerestory, transepts, an apsed chancel and side chapels. The interior has pink Devon Granite piers with foliated capitals. The decoration throughout is of high quality, with extensive use of marble and alabaster. The glass and the impressive iron screen in front of the chancel are by Hardman. In the north-west apse is a eliquary, also designed by Charles Hansom, containing the relics of the martyr, St Justina, donated in 1871 after many years in the possession of the Borghesi family.

St John the Evangelist, South Parade, Bath BA2 4AF

St Winefride's Well and Chapel, Holywell

St Winefride’s Well – often referred to as the ‘Welsh Lourdes’ - is reputed to be Britain’s oldest continuously visited pilgrimage site. The unique well-head and St Winefride’s Chapel above constitute some of Wales’s best 15th century architecture.

History

Shrouded in legend, the site is said to date from the 7thcentury, when Winefride, daughter of a local nobleman and a devout Christian, was decapitated by the local Chieftain Caradog for resisting his advances. Through the prayers of her Uncle, Saint Beuno, her head was restored with only a faint scar, and a spring flowed from the spot where her head had fallen. Whatever the legend, the historic Winefride became a nun and ultimately abbess of the foundation at Gwytherin, and died there in 660AD.

The well has since been a popular pilgrimage site, especially through the middle ages. Royal visitors have included Richard I, Henry V, Edward IV, and Richard III. James II and his second wife, Mary of Modena, visited in 1686 and it is said their prayers for a child were answered by the birth of their son, James Stuart.

The present well-head and chapel were built in the early 1500s, although the shrine of St Winefride was destroyed in the reformation. Despite the best efforts of the authorities, the well continued to be a popular place of pilgrimage and was associated with the Catholic recusancy. The well was rented by the Jesuits in 1873 and is now in the care of the Catholic Diocese of Wrexham. St Winefride’s Chapel is in the care of Cadw.

The well and chapel

The well complex includes a modern entrance building, museum and shop, with attractive lawns fronting the well-head. There is a large modern pool beside the well, where bathing is still permittedat certain times.

The well-head itself (effectively forming the crypt of the chapel above) is an intricate structure, the stone-lined pool covered with an elaborate octagonal late Perpendicular vault. A profusion of elaborately carved bosses include depictions of St Winefride’s legend, the likely patron of the building, Lady Margaret Beaufort, and scenes of healing. Nearby is a modern statue of St Winefride, complete with neck scar.

The Chapel above is a delightful example of Perpendicular architecture, with a fine wooden roof and wide windows filled with clear glass. Corbels and bosses abound with yet more carving, depicting saints and angels, heraldic devices, beasts, dragons, hunting scenes and grotesque faces. The Chapel hosts occasional festival services.

 

Plessington House, Greenfield Street, Holywell, Wales CH8 7PN

St Mary, Cilcain

Cilcain has one of Clwyd’s most interesting double-naved churches, best known for the astonishing hammer beam roof decorated with large carvings.

History

First mentioned in 1291, the church is probably of late 12th or 13th century origin. The oldest part is the north nave, now used as a meeting area. The tower and south nave were added in the 15th century, at which point the windows of the north nave were also renewed in Perpendicular style. The south nave probably replaced an earlier aisle.

The origin of the south nave’s roof is uncertain: the bays do not match those of the arcade, and the scale of the angels implies it was almost certainly intended for a loftier building, but there is little evidence for a local tradition that the roof came from Basingwerk abbey. The north nave was burned down in 1532, possibly during a service of plygain, a Welsh night-long carol service, traditionally lit with large numbers of candles brought by the congregation. It remained roofless until 1746 when it was rebuilt at the expense of the incumbent.

Restoration was carried out in 1786-7, 1845-5 and again in 1889, when the walls were scraped, the south porch rebuilt and the north nave screened off from the south nave. Brickwork at the top of the tower was also replaced with stone.

The church

The main part of the church is now the south nave: the north nave or aisle is not generally open to the public. Immediately the visitor is struck by the stark nature of the scraped walls, which render the interior dark: as one’s eyes grow accustomed to the gloom, the amazing ceiling reveals itself. It is carried alternately on hammer beams and braced arch trusses and moulded throughout.

The beams are decorated by angels each carrying shields depicting the instruments of the passion: roof bosses and the trusses have more carvings, including grotesque faces, animal heads, a pair of monkeys and a delightful pair of men in 15th century secular dress, possible the craftsmen who built it. They stare coyly from with side of a corbelled buttress, like a comedy duo.

To the north, the former Decorated arcade has been filled with wooden glazed panels. The East Window has 16th century glass panels depicting the Crucifixion. Other fittings of interest include a fragmentary Norman font, and a collection 14th century sepulchral panels at the West end, one of which depicts, rather crudely, a lady with an elaborate medieval headdress.

Cilcain, Mold, Wales CH7 5NH

St Lawrence, North Hinksey

St Lawrence lies at the end of the village, next to the modern offices of the Diocese of Oxford. The largely 12th century church has a pretty wooded churchyard with a much-weathered 14th century cross.

History

The church guide claims that the oldest part of the church is chancel and suggests a possible pre-Conquest date: however, the earliest surviving details point to a foundation around 1100, with the tower added in in the 13th century and the porch in the 17th century.

A restoration by John Macduff Derick in the 19th century replaced a much earlier and very narrow chancel arch with the present arch with flanking squints in the Norman style, which complement the south door.

The Church

The church consists of nave, chancel, porch and tower, with exterior walls are of rubble with ashlar dressings. The tower has a simple pyramidal cap, and all is roofed with stone slates. The best architectural feature is the very fine 12th century south doorway, now inside the porch: this features elaborate zig-zag carving, scalloped capitals, red stone flanking columns and animal-head stops.

Inside, the interior has a peculiar pale coloured limewash, which emphasises the white-washed chancel arch. The nave and chancel have an interesting collection of windows, covering the 12th to 16th centuries, including simple round-headed arches, Early English lancets, a 15th century east window with cinquefoil tracery and an unusual late 13th century window with lozenge tracery. There is a staircase in the north wall of the nave to a long-vanished rood screen.

The furnishings include a lovely 15th century octagonal font, with different tracery designs on each face, and some nice monuments. The north-west nave window contains stained glass fragments brought from Ypres after the First World War.

The church is open during the day in summer and there is a regular Sunday morning service.

St Lawrence, North Hinksey Lane, North Hinksey, Oxford OX2 0LZ

St Laurence, Telscombe

Telscombe is a hidden treasure. Although close to the dull suburban sprawl between Brighton and Newhaven, the little village and its ancient church nestle in a steep-sided valley, accessible only from the Ouse valley to the north.

 

History

 

Despite not being mentioned in Domesday, the church is recorded as being given to the monastery of Winchester  in the 10th century, a gift confirmed by King Edgar in 996 AD.

 

The basic form of the church is, however, 12th century: the nave and chancel date from the late 11th or early 12th century, and later in the 12th century the tower, north aisle and Lady Chapel were added. The 14th century provided the east window, and the 15th one of the south nave windows.

 

After that, the 19th century provided a modest restoration, which saw the north wall rebuilt, the chancel arch replaced, a porch added to the south and a matching vestry  to the north. The wall paintings were undertaken in 1905.

 

The Church

 

From the outside this is perfect, small village church. Sitting on a steep slope next to an old row of cottages (now the youth hostel), in summer, it is almost completely hidden by trees. The walls are flint, with simple stone dressings.

 

Inside, there are two sets of arcades, both with simple rounded arches. The nave arcade has simple round piers and plain capitals. The chancel arcade has been rebuilt, but again has round arches but this time the capitals have scallops and crocket leaf decoration. The east respond is clearly original.

 

The east chancel window is an early example of 14th century Decorated Gothic, as are the two lancets. The easternmost nave window dates from the 15th century, with a matching Victorian one further west. Possibly the only 12th century windows are in the west walls of the aisle and tower – two simple round-headed lancets.

 

Furnishings and fittings include a fine late 13th or 14th century font, decorated with pointed arches. The chancel has a kneeling desk incorporating 16th century bench ends, and above the south door is a fine 17th century Royal coat of arms. The chapel window contains coloured fragments of 14th century mediaeval glass.

 

The wall paintings on the chancel arch and east wall were undertaken in 1905; the church guide attributes their design to Clayton and Bell.

 

Although the parish has a population of just a couple of dozen, there is a regular Sunday service, attended mostly by people from Peacehaven.

 

Telscombe Village, East Sussex, BN7 3HY